Lianne Edwards
Beauty and chaos, transience and permanence are key phrases in Lianne Edwards’ analysis of nature and its mindless destruction by humankind.
Lianne Edwards background in marine ecology and resource management, and as an artist serves to position her at the forefront of eco artists in New Zealand. Her interest in both science and art finds its voice in artworks that make comment on our relationship with the natural world. All too often humankind is found wanting in an examination of our interaction with nature. Edwards work, often microscopically delicate, or alternatively, commanding a strong physical presence, questions how we value the natural world. The subtlety and aesthetic appeal of her works belies the underlying environmental messages and important themes she addresses.
Edwards has collaborated with organisations such as the Sea Cleaners initiative, and also with wildlife scientists to draw attention to what’s happening in our marine environment and with our critically endangered native bird populations. Lianne is of Tongan, Irish, Scottish & English descent. Born and bred in South Auckland she is now based in the top of the South Island.
"I personally feel a very strong connection to the Pacific region, firstly from growing up on an island nation (New Zealand) surrounded by the Pacific Ocean, secondly due to my Tongan ancestry, and thirdly because of my background and interest in marine ecology and conservation. I’m concerned about what’s happening to our oceans and to our native plants and animals and the future that we will be leaving for generations to come”.
Lianne has work in the collections of Auckland Art Gallery Toi o Tāmaki, Chartwell Collection, Ministry of Foreign Affairs, James Wallace Arts Trust and many private and public collections.

Flight Status I (2021), 84.5 x 84.5cm framed, Stainless steel bird leg bands (used: Antipodean Wandering albatross), stainless steel, South Seas pearl oyster, plankton net, inks

Flight Status II (2021), 84.5 x 84.5cm framed, Stainless steel bird leg bands (used: Antipodean Wandering albatross), stainless steel, South seas pearl oyster, plankton net, inks

Flight Paths (2021), 84.5 x 84.5cm framed, Stainless steel bird leg bands (used: Antipodean Wandering albatross), stainless steel, South Seas pearl oyster, plankton net, inks

Larval form VI (2021), 66 x 49cm framed, plankton net, pearl oyster shell, inks, metal encased thermometer (forfeited international fishing vessel found illegally fishing in NZ waters in 2011)

Larval Form VII (2021), 66 x 49 cm framed, pearl oyster shell, brass encased thermometer (source: forfeited international fishing vessel found illegally fishing in New Zealand waters in 2011), acrylic

$2 Turtle, 94 x 94 cm framed, plankton net, swordfish bill, bird leg bands (Antipodean Wandering albatross), silver coin, Fijian pennies

(Left) Current Offerings (I), 130 x 8cm, swordfish bill, used mussel buoy, totara, fishing line, inks, fish scales, shell, (Right) (IV) 132.5 x 7cm, swordfish bill, used mussel buoy, totara

Current Offerings (II), 152 x 9cm, swordfish bill, used mussel buoy, totara, fishing line, Fijian 1/2 pennies

(Left) Current Offerings (III),141.5 x 8cm, swordfish bill, used mussel buoy, fishing line, Fijian 1/2 pennies, coir, shell, (Right) (V) 132.5 x 7cm, swordfish bill, used mussel buoy, fishing line

Larval form IV, band 971, 870 x 780mm brass encased thermometer, mother of pearl, fish otolith, albatross bird leg band, knitted brass mesh, brass mesh

Larval form V, band 987, 870 x 780mm, brass encased thermometer, mother of pearl, fish otolith, albatross bird leg band, knitted brass mesh, brass mesh, 2020

(detail) Larval form V, band 987, 870 x 780mm, brass encased thermometer, mother of pearl, fish otolith, albatross bird leg band, knitted brass mesh, brass mesh, 2020

Larval form III, band 975, 860 x 790mm, brass encased thermometer, mother of pearl, fish otolith, albatross bird leg band, knitted brass mesh, brass mesh, 2020

Treasures of the Overburden – Mt Augustus, I, II, III, bronze, waxed sandstone, coal, granite, wood, steel rod and plate, (h) 121, 129, 131 x (w) 30 x (d) 30cm, 2020

(detail) Treasures of the Overburden – Mt Augustus, bronze, waxed sandstone, coal, granite, wood, steel rod and plate, (h) 121 x (w) 30 x (d) 30cm, 2020

(detail) Treasures of the Overburden – Mt Augustus, bronze, waxed sandstone, coal, granite, wood, steel rod and plate, (h) 121 x (w) 30 x (d) 30cm, 2020

Roimata toroa (Antipodean Wandering albatross) stainless steel and plastic, plankton netting, tuna hooks, squid beaks (from bolus), pearl oyster shell, resin, 1380 x 680mm, 2020

Parlous States, Bird bands (Antipodean Wandering albatross) stainless steel and plastic, plankton netting, tuna hooks, pearl oyster shell, resin, 580 x 950mm (framed), 2020

Rise of the Jellies I, 2019, 1040 x 1040 mm (framed), Materials: Plankton Net, bird leg bands (Wandering albatross), fish otolith, coins, swordfish bill

Rise of the Jellies II, 2019, 900 x 900mm (framed), Materials: Plankton Net, bird leg bands (Wandering albatross), fish otolith, coins, swordfish bill

Rise of the Jellies III, 790 x 790mm (framed), Materials: Plankton Net, bird leg bands (Wandering albatross), fish otolith, coins, sharks teeth (Tokelau reused), South Seas pearl shell, swordfish bill

Number 201, Melilla, 2019, 920 x 920mm, Materials: Brass-encased freezer thermometers (from vessel No.201 Melilla), perspex, vinyl, plankton net, fish otolith (hoki)
2019
Nature's little warnings
Art News New Zealand / Summer 2019
By Dr Robin Woodward. Read here.
2017
Delicate art reflects our fragile oceans
NZ Herald. Read here.
2009
Philately rollercoaster
eyeCONTACT. Read here.
2020
Sentinels & Sea Change
Tauranga Art Gallery
2019
BRIGHT NIGHTS
Viaduct Harbour, Auckland